Please make a full sixties pop ghost plate please -the toilet OV Hölle

Look, it is pretty clear to me that Tobias Forge will do everything he wants with which he wants SpiritLike his right as a mastermind of the act. Loudly proclaiming the project as its clear tendency to an aor-high pop sound, which was frightened by many of the original metalhead fans that the act received Meliora And Opus the same nameEven the devil itself would not influence Forge’s artistic vision. I respect and have made peace with it, even if albums like Pre -source And Impera Don’t cause a super strong reaction from me. To be honest, after the latter, I fell quite hard from the Ghost train – I was simply not sure whether dad and his rotating list of faceless ghools would ever catch my intrigue, as they did before.

But when the group dropped their second live album Rite here, rite now (Tied with a concert film that I haven’t seen before), it somehow blew me away. Suddenly, tracks like “Faith” and “Spillways” clicked in a way with me that they hadn’t done before. Perhaps it was the case that I was too tempting “living energy” or a newly discovered appreciation of material that I did not shook fairly, but clearly worked in the favor of this record. In addition to an interest in all things Ghost, this live publication brought a new foray in Ghost’s psychedelic pop sound: “The future is a foreign country”.

https://www.youtube.com/watch?v=LZ24W6CQ0HI

But before I push myself a little forward:

Ghost contains a focus on this “tradition” disc, which is clearly bound with image and theater, from which Tikok children cannot apparently not get enough. With regard to this most lovable Friday, the history of Ghost existed in two decades -the music in the 70s style of its main discussion and a time as a 1960s group. This latest song, which debuted with an animated music video in the feature film, fits exactly into this less examined time. “The Future is a foreign country” is a garage pop ballad that corresponds to the time span, the lyrical love for love in the middle of annihilation (playing contemporary accuracy) and a band presentation that I can only call “satanic flower power”. It is a uniquely emotional and resonant cut of the band, which already gives no strangers to love songs with uncanny turns.

Only two more songs try to present this time for Ghost, both appear on the Seven inches of satanic panic (which also added “the future …” after the publication of the publication Rite here, rite now). “Kiss the go-goat” and The Tikok Smash-Hit “Mary on a Cross” are similarly outstanding cuts and show Forge’s strong sensitivity to hooks and masterful pop songs. These three tracks also nail the 1960s perfectly and still sound fresh and exciting.

https://www.youtube.com/watch?v=nmxfxbicrl4

So can you blame me for desperately long for a full sunshine Bubblegum -record from Ghost? It is a clearly successful channeling of what makes the group so catchy and appealing and at the same time is a style that the Brainrot zoom (like me) long. So, Mister Tobias Forge, would you make a solid a solid and get us full 12 inch psychedelic satanism? I will not make my hopes.

One thing you should get your Hopes for our weekly summary! If not, fuck yourself, I think Idk.

I know that when nobody has made me do it, TMP and TTT have me.

Aaron covered The gentleman Slough FEG Back to the Traveler Mines:

Review: The Lord Weird Slough FEG – traveling supplement I: The short -lived gloss

Tuning in T0 Toilet radio Also becomes illegal memories of the past for all dilapidated corpses of the audience:

Toilet radio 556-front metal

Falxifer took a Ghost bath. The judgment? Record is pretty clean:

Review: Ghost Bad – Rose Thorn necklace

Igom With the Itty Bitty BCF Ditties:

Bandcamp Friday: “… this redemption (maybe) shimmers”

Thank you for reading my passionate and senseless plea. Let your g/b/us fall below when you dare …